Toni Morrison: “We do language. That may be the measure of our lives.”

I just reread Toni Morrison’s Nobel Lecture in Literature, 1993. It is so elegantly stated, deeply meaningful, and prophetic. Read the passages I quote below and think about the path we’ve taken to our current time.

"She is convinced that when language dies, out of carelessness, disuse, indifference and absence of esteem, or killed by fiat, not only she herself, but all users and makers are accountable for its demise. In her country children have bitten their tongues off and use bullets instead to iterate the voice of speechlessness, of disabled and disabling language, of language adults have abandoned altogether as a device for grappling with meaning, providing guidance, or expressing love. But she knows tongue-suicide is not only the choice of children. It is common among the infantile heads of state and power merchants whose evacuated language leaves them with no access to what is left of their human instincts for they speak only to those who obey, or in order to force obedience.

"The systematic looting of language can be recognized by the tendency of its users to forgo its nuanced, complex, mid-wifery properties for menace and subjugation. Oppressive language does more than represent violence; it is violence; does more than represent the limits of knowledge; it limits knowledge. Whether it is obscuring state language or the faux-language of mindless media; whether it is the proud but calcified language of the academy or the commodity driven language of science; whether it is the malign language of law-without-ethics, or language designed for the estrangement of minorities, hiding its racist plunder in its literary cheek – it must be rejected, altered and exposed. It is the language that drinks blood, laps vulnerabilities, tucks its fascist boots under crinolines of respectability and patriotism as it moves relentlessly toward the bottom line and the bottomed-out mind. Sexist language, racist language, theistic language – all are typical of the policing languages of mastery, and cannot, do not permit new knowledge or encourage the mutual exchange of ideas."

Better yet, read the entire lecture, perhaps right along with YouTube audio of Morrison’s actual lecture.

Arrival

I recently came across this great quote from Martha Graham:

“There is a vitality, a life force, a quickening that is translated through you into action, and there is only one of you in all time. This expression is unique, and if you block it, it will never exist through any other medium; and be lost. The world will not have it.

It is not your business to determine how good it is, not how it compares with other expression. It is your business to keep it yours clearly and directly, to keep the channel open. You have to keep open and aware directly to the urges that motivate you. Keep the channel open.

“No artist is pleased. There is no satisfaction whatever at any time. There is only a queer, divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

Well, that certainly got me thinking.

I am usually happy. I don’t know that I’ve always been. At the same time, I’m almost always focused on making something different happen. Something new.

I’m habitually and unconsciously dissatisfied with what is and want to make it new, different, better.

Maybe I like jazz because it's like that too. Nothing is ever the same as it was. Every performance is unique. Searching. That’s kind of the whole point!

It’s not my business to determine whether my contribution is good or bad, ugly or beautiful. I just have to get my ideas out there.

And do that again. And again. And again…

Being unsettled is a semi-permanent condition. But not apprehensive. I’m not anxious, fearful or dreadful. Certainly not at this moment.

In the moment. That’s another thing about jazz. Being right … there.

I always say that playing music, playing my bass, is like a mini-vacation. When I’m playing, I’m in that moment. Because I’m not good enough to play and think about anything else.

I have to listen. Keep time. Stop rushing — always!! Listen. Contribute. Listen.

Just listen.

It’s a beautiful thing.

OTOH, I hate listening to recordings of myself playing. I only hear the wrong notes. When I listen to a presentation I’ve done, all I hear is “… um.” Still, it’s not my business to determine how good it is

I’m creative. My canvas is ideas. Or maybe ideas are my paint, my notes? Problems? Perhaps that’s the canvas…

I don’t own the ideas. I give them away (for pay) at work. Or for free. Doesn’t matter. I’ve got more.

I’ll produce more. Upon demand. I have to do it. I’m a world-class idea improvising machine. An idea artist.

Years ago I took the Strengthfinders test and learned “Ideation” was one of my top five. Ideation!

I finally get it! Thanks, Martha!

“And,” mutters to himself, “the ideas ramble on.”

Amen.

IMG_1392.JPG

Exactly 500 words on blah blah blah…

They say the first draft is shit, so just put a whole lot of whatevers out there, because you're going to rewrite it anyway.

Not that I believe what "they" say, right?

I make mistakes. Sometimes they're doozies! Which contradicts the idea there are no mistakes. I mean, if you learn something, was it a mistake?

Blah. Blah. Blah.

So here's the deal…

Read More